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‘Do the hustle’

‘White Boy Rick’ enters the American crime film cannon to mixed results

Full Circle

A brief rundown of what’s happening at Circle Cinema

Many hands make art work

Black Wall Street Gallery offers a new kind of ‘conciliation’

‘All women are strong’

Dana Tiger’s art continues a family legacy

Contact sheet: Motherhood | Womanhood

Words and photographs by Megan Hosmer

Idle worship

Love, fidelity and fandom are explored in the pensive charmer ‘Juliet, Naked’

Breastraunt: Impossible

‘Support the Girls’ is more ‘tragi-’ than comedy

Man behind the curtain

Native Tulsan is part of the touring production of ‘Wicked’

‘I am that pretentious white lady’

Maria Bamford talks comedy, characters, and creativity ahead of her appearance at the Blue Whale Comedy Festival

Bucking stereotypes

‘Blake Little: Photographs from the Gay Rodeo’ challenges Western status-quo

Community by design

Art Directors Club of Tulsa celebrates a half-century of creative collaboration

Palette opener

Nouveau Cru brings local art and performance to the party

'Fight the Power'

A great American director returns to incendiary form in ‘BlacKkKlansman’

‘Bringing It All Back Home'

‘Tarantula: On Film’ series wraps up with a rare public screening

Full circle

A brief rundown of what’s happening at Circle Cinema

‘Master of Puppets’

Murderous toys from a cult classic are back for blood

‘All about the echoes’

Mary Kathryn Nagle’s revolutionary Native storytelling

Neon dreams

Portraits from Skateland

The city onstage

Fall 2018 performing arts guide

The Island of Misfit Toys

An elegy for the Yeti (2012–2018)
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