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Wild reality

Tommy Orange on writing about urban Native life, identity, and his hometown

Play the hits

‘Avengers: Endgame’ is an explosive finale to the MCU saga

Plastics only

Get in, losers—we’re going to see ‘Mean Girls’

Meet the Fellows

In the studio with Rachel Hayes

An ordinary reckoning

Tulsa native Mary Kay Place shines in award-winning film

Pitch shifter

‘Shrill’ is the buoyant, body-positive feminist comedy we deserve

Restless native

Ashton Sanders offers a captivating, uneven literary adaptation

Full Circle

A brief rundown of what’s happening at the Circle Cinema

The city writes itself

Five stories from our second annual flash fiction contest

Meet the fellows

In the studio with Edgar Fabián Frías

Mirror image

‘Us’ is a horrifying funhouse reflection of American life

Chaos in the Keys

‘The Beach Bum’ is a beautiful ride to the bottom

Full Circle

A brief rundown of what’s happening at Circle Cinema

Timeless Tchaikovsky

Raising the curtain on ‘the man behind the music’

Noir’s not dead

Writer and punk pioneer Richard Hell talks film and music history

There will be criticism

Q&A with New York Times film critic A.O. Scott

Seeking joy

Rob Bell unleashes full-scale assault on cynicism

At work

Contact Sheet

Star-crossed bummer

A saccharine tearjerker can’t escape the clichés

Full Circle

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